Maharashtra -
Visiting the World Heritage sites, to the Deccan Odyssey train journey; take a beach holiday, Or visit the sacred shrines including the eight famous temples of the popular God Ganesh.

Cities to visit are Amravati, Auragabad, Kolhapur, Mumbai, Nagpur. Nashik and Pune

Ellora -Aurangabad Festival - for the Heritage cultural flavor

The Ellora-Aurangabad Festival witnesses some of the greatest performances from the best-known exponents of Indian music & dance. The programme every one enthralled by its rhythmic harmony
On a heritage luxury train tour on the Deccan Odyssey
From the heritage sites of Ajanta and Ellora, the handicraft village of Shilpa Gram, Pilgrim places at Nashik, the bustling cities of Mumbai and Pune, visiting shrines, savoring the cuisines, or breaking out at the beach.

Madhya Pradesh
The temples of Khajuraho are divided into three geographical groups: Western, Eastern and Southern.

The Western group is certainly the best known, because it is to this group that the largest and most typical Khajuraho temple belongs: which has the Kandariya Mahadev, also the Chaunsat Yogini, the only granite temple in the Khajuraho group. Dedicated to Kali, it is also unique in being quadrangular in plan. Another Kali Temple (originally dedicated to Vishnu) is the Devi Jagadambe Temple.

North of it facing eastward to the rising sun, is the Chitragupta temple, dedicated to the sun-god, Surya. The image of this powerful deity in the inner sanctum is particularly imposing: 5ft high, and driving a seven-horsed chariot. The group scenes depicted are equally spectacular: royal processions, elephant-fights, hunting scenes, group dances. The lavish lifestyle of the Chandela kings and their court is here in all its pomp and glory.

Nandi Temple with a massive, 6 ft high Nandi bull. Since the first few Chandela rulers were devotees of Vishnu, there are some important Vaishnavite temples in the Khajuraho group, the finest of which is the Lakshmana Temple.

Hindu and Jain temples make up the Eastern Group, which lies close to the Khajuraho village. The largest Jain temple, Parswanath, is in this group. Exquisite in detail, the sculptures on the northern outer wall make this temple perhaps the finest in the group. The themes of these carvings are the timeless ones of every day, mortal activity.

The three Hindu temples in the Eastern Group are the Brahma, Vamana and Javari Temples. A double row of apsaras, celestial nymphs, adorn the outer walls of the Vamana temple. A variety of sensuous attitudes: languid, provocative, mischievously inviting, give credibility to the theory that Khajuraho's erotica were meant to test the devotees who came to worship their gods at the temples.

the Southern Group of temples has the fine Chaturbhuj Temple which has a massive intricately carved image of Vishnu in the sanctum. Duladeo Temple, another of the southern group, is a little away from the road to the Jain group of temples.

Gwalior

Steeped in the splendour of its past, the ancient capital of Gwalior has yet made a successful transition into a modern Indian city, vibrant and bustling. A multitude of reigning dynasties, of the great Rajput clans of the Pratiharas, Kacchwahas and Tomars have left indelible etchings of their rule in this city of palaces, temples and monuments. Gwalior's tradition as a royal capital continued until the formation of present day India, with the Scindias having their dynastic seat here. The magnificent mementoes of a glorious past have been preserved with care, giving Gwalior an appeal unique and timeless.

The entire city is a visual and aesthetic feast, for the builders of Gwalior were great architects. Take a walk through the streets of the city and you will discover old havelis with exquisitely carved doorways and windows; at almost every street crossing you will find statues of the Scindia family. Museumes and art galleries are treasure houses and beautifully maintained palaces give the city its inimitable regal flavour. Sightseeing in Gwalior is a magical trip into the centuries gone by

The Fort the Kala Vithika, Gwalior Zoo, Man Mandir, Teli ka Mandir, Jai Vilas Palace, Tansen's Tomb,

Kanha National Park with its sal and bamboo forests, rolling grasslands and meandering streams stretch over 940 sq km in dramatic natural splendour which form the core of the Kanha Tiger Reserve created in 1974 under Project Tiger. The park is the only habitat of the rare hardground Barasingha (Cervus Duvaceli Branderi).

By a special statute in 1955, Kanha National Park came into being. Since then, a series of stringent conservation programmes for the protection of the park's flora and fauna has given Kanha its deserved reputation for being one of the finest and best administered National Parks in Asia, an irresistible attraction for all wildlife lovers and a true haven for its animal and avian population.

Mandu is a celebration in stone, of life and joy, of the love of the poet-prince Baz Bahadur for his beautiful consort, Rani Roopmati. The balladeers of Malwa still sing of the romance of these royal lovers, and high up on the crest of a hill, Roopmati's Pavilion still gazes down at Baz Bahadur's Palace, a magnificent expression of Afghan architecture.

Perched along the Vindhya ranges at an altitude of 2,000 feet, Mandu, with its natural defenses, was originally the fort capital of the Parmar rulers of Malwa. Towards the end of the 13th century, it came under the sway of the Sultans of Malwa, the first of whom named it Shadiabad - 'city of joy'. And indeed the pervading spirit of Mandu was of gaiety; and its rulers built exquisite palaces like the Jahaz and Hindola Mahals, ornamental canals, baths and pavilions, as graceful and refined as those times of peace and plenty.

Each of Mandu's structures is an architectural gem; some are outstanding like the massive Jami Masjid and Hoshang Shah's tomb, which provided inspiration to the master builders of the Taj Mahal centuries later.

Hathi Mahal, Darya Khan's Tomb, Dai ka Mahal, Dai ki Chhotti Behan Ka Mahal, Malik Mughit's Mosque and Jali Mahal are some of the other fascinating monuments. There is also the Echo Point, the 'Delphic Oracle' of Mandu. A shout from here reverberates far below and is heard clearly back. The Lohani Caves and Temple Ruins, not far from the royal enclave area also merit a visit due to their association with Mandu's history and monuments. Sunset Point, in front of the caves affords a panoramic view of the surrounding countryside.

The Darwazas The Royal Enclave, Jahaz Mahal Hindola Mahal Hoshang Shah's Tomb. India's first marble edifice, it is one of the most refined examples of Afghan architecture.

Jami Masjid Inspired by the great mosque of Damascus, the Jami Masjid was conceived on a grand scale, with a high plinth and a huge domed porch projecting in the centre, the background dominated by similar imposing domes with the intervening space filled up by innumerable domes. One is struck by the huge proportions and the stern simplicity of its construction. The great court of the mosque is enclosed on all sides by huge colonnades with a rich and pleasing variety in the arrangement of arches, pillars, number of bays, and in the rows of domes above.

Rewa Kund. A reservoir, built by Baz Bahadur with an aqueduct to provide Roopmati's palace with water. Today, the pool is revered as a sacred spot.

Roopmati's Pavilion
The pavilion was originally built as an army observation post. From its hilltop perch, this graceful structure with its two pavilions was a retreat of the lovely queen, from where she could see Baz Bahadur's palace and the Narmada flowing through the Nimar plains far below.

Sanchi is known for its Stupas, monasteries, temples and pillars dating from the 3rd century B.C. to the 12th century A.D. The most famous of these monuments, the Sanchi Stupa 1, was originally built by the Mauryan Emperor Ashoka, the then governor of Ujjayini, whose wife Devi was the daughter of a merchant from adjacent Vidisha. Their son Mahindra and daughter Sanghamitra were born in Ujjayini and sent to Sri Lanka, where they converted the King, the Queen and their people to Buddhism.

Indore

Lal Baag Palace is one of the grandest monuments the Holkar dynasty left Indore. A reflection of their taste, grandeur and lifestyle. Many royal receptions were held here. It has a total area of 28 hectares, and at one time it had the reputation of having one of the best rose gardens in the country.
Bada Ganpati better known for its size than antiquity, this temple houses perhaps the largest Ganesh idol in the world measuring 25 feet from crown to foot. Created as a result of the dream of an Avantika (Ujjain) resident, Shri Dadhich, it was built in 1875.

Kanch Mandir This Jain temple is an architectural marvel in glass. The walls, ceilings, floors, pillars and door knobs are entirely inlaid with glass. Even paintings are done in glass. Atop is a special glass chamber which multiplies the three statues of Lord Mahavira installed there into an indefinite number (said to be visible upto 21 times, corresponding to the 21 tirthankaras)

Orcchar was Founded in 1531. It is recommended as place of peaceful beauty. Orchha (hidden place) is set among a wonderful complex of well preserved palaces and temples; namely Jehangir Mahal, Sunder Mahal Raj Mahak Rai Parveen Mahal, Chaturbhuj Temple Laxminarayan temple. Other noteworthy places of interest are shrines of Siddh Baba Ka Sthan, Jugal Kishore, Janki Mandir and the Hanuman Mandir at Ochharedwara.

Orissa is blessed with around 500 km long coastline and has some of the most beautiful beaches in the world. Chilika, Asia's largest brackish water lake, not only provides a haven for millions of birds, but is also one of the few places in India where one can view dolphins. The lush green forest cover Of Orissa plays host to a wide variety of flora and fauna, including the famed Royal Bengal Tiger. Amidst the picturesque hills and valleys nestle a number of breathtaking waterfalls and rivulets that attract visitors from all over.

The landscape of Orissa is dotted with a large number of temples. The temples of Orissa conform to the Indo Aryan Nagara style of architecture, with distinctive features specific to this region. The best known of these are the Lingaraja temple at Bhubaneshwar, Jagannath Temple at Puri and the Sun Temple at Konark

The temples of Orissa exhibit a majestic grandeur. An Orissan temple (deul) usually consists of a sanctum, one or several front porches (jagamohana) usually with pyramidal roofs, a dancing hall (nata mandir) and a hall of offerings (bhog mandir.

Puri - the ancient pilgrimage center: The colossal Jagannath temple known as the white pagoda enshrines Krishna, Subhadra and Balarama in the temple town of Puri.

Konark is also known as Konaditya. The name Konark is derived form the words Kona - Corner and Arka - Sun; it is situated on the north eastern corner of Puri or the Chakrakshetra. Konark is also known as Arkakshetra.

This temple built in 1278 CE by the Ganga King Narasimha Deva is one of the grandest temples of India and was referred to as the Black Pagoda. The ruins of this temple were excavated in late 19th century. The tower over the Garbagriha is missing, however the Jagmohana is intact, and even in this state, it is awe inspiring. It is said that the temple was not completed as conceived because the foundation was not strong enough to bear the weight of the heavy dome. Local beleif has it that it was constructed in entirety, however its magnetic dome caused ships to crash near the seashore, and that the dome was removed and destroyed and that the image of the Sun God was taken to Puri.

The Konark temple is widely known not only for its architectural grandeur but also for the intricacy and profusion of sculptural work. The entire temple has been conceived as a chariot of the sun god with 24 wheels, each about 10 feet in diameter, with a set of spokes and elaborate carvings. Seven horses drag the temple. Two lions guard the entrance, crushing elephants. A flight of steps lead to the main entrance
The Lingaraj temple at Bhubaneswar boasts of a 150 foot high deul while the Jagannath Temple at Puri is about 200 feet high and it dominates the skyline of the town. Only a portion of the Sun Temple at Konark, the largest of the temples of the Golden triangle exists today, and it is still staggering in size. It stands out as a masterpiece in Orissan architecture.

The hill temple of Simhachalam can be seen as one approaches Vishakapatnam from Vizianagaram by train. Simhachalam - the hill of the lion is located at a distance of 18 km from Vishakapatnam. The hill temple is accessed via a motorable road, up the hill. This temple combines the Orissan and Chalukyan features of temple construction, and it attracts scores of pilgrims from both Andhra Pradesh and Orissa.

Noteworthy features of the temple: This temple boasts of a beautiful stone chariot drawn by horses. The Kalyana Mandapa within the temple has 16 pillars with bas reliefs depicting the incarnations of Vishnu. Narasimha, the man lion incarnation of Vishnu is seen in several depictions throughout the temple.
Kuruma 8 km from the world famous Sun Temple of Konark, Kuruma is a small village. Recent excavations here have brought to light the reminiscence of some ancient Buddhist antiquities like the image of Buddha seated in Bhumisparsa Mudra along with the image of Heruka, and a 17 metres long brick wall (brick size: 22 cm X 17 cm). Scholars are of opinion that this was one of the sites containing Buddhist stupas described by Hiuen T'sang. The place is approachable by jeep
Chaurasi 14 km from Kakatpur and 30 km from Konark one can visit the shrines of Amareswar, Laxminarayan and Barahi at Chaurasi.
Barahi is the Mother Goddess with the face of a boar. Pot-bellied, she holds a fish in one hand and a cup in the other. The deity belongs to 9th century A.D. and is worshipped according to tantric practices
Ramchandi On the confluence of the river Kushabhadra and the Bay of Bengal, Ramachandi, the presiding deity of the Konark region is worshipped here with reverence. On the Marine Drive, the place is ideal for week-end picnic
Astranga Right on the sea-shore, it is 91 km from Puri and 10 km from Kakatpur. Astaranga presents a panoramic view especially during sunset on a multi-coloured horizon as if to justify the literal meaning of its name. It is a centre of salt production and fishing.